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The costumes brightly colored urban streetwear, accompanied with sneakers rather than pointe shoes were conceived by Opening Ceremonys Humberto Leon and NYCBs young star choreographer Justin Peck, and featured in Pecks new ballet, The Times Are Racing. It was an unusually hip evening at the ballet, to be sure. Audience members included acting couples Claire Danes and Hugh Dancy, and Maggie Gyllenhaal and Peter Sarsgaard and that was only in one row. Peck, only 29 and already a celebrated choreographer, came onstage in casual garb before the performance and invited the crowd to have a beer on us after the show. The Opening Ceremony designs were colorful and high-energy shiny yellow parkas, black athletic pants with thick fuchsia stripes down the side, jean cutoff shorts, brightly hued trench coats but they hardly upstaged the dancing in Pecks crowd-pleasing new ballet. Star ballerina Tiler Peck (no relation to Justin) and especially an impassioned Robert Fairchild (her husband) were standouts. Some of the ballets best moments were shared between Justin Peck, performing his own work, and Fairchild, both in jeans and white sneakers, flying across the stage in unison. After the show, the spacious promenade of the David H. Koch Theater, usually home to somewhat older ballet patrons sipping from champagne flutes, turned into one big party. The free beer promised by Peck was handed out in plastic cups, and Baltimore-based electronic musician Dan Deacon the composer of Pecks ballet served as DJ.
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